專門存放書畫的庫房有什么要求嗎？名人字畫回收人員提醒您，專門存放書畫的庫房，要求保持一定的溫度、濕度，這樣可以抑制害蟲和霉菌的生長繁殖。科學(xué)實(shí)驗(yàn)證明，害蟲、霉菌的生長繁殖與空氣中濕度、溫度有著直接關(guān)系。

Do you have any requirements for a warehouse dedicated to storing calligraphy and painting? Celebrity calligraphy and painting recycling personnel remind you that the warehouse dedicated to storing calligraphy and paintings requires maintaining a certain temperature and humidity, which can inhibit the growth and reproduction of pests and molds. Scientific experiments have shown that the growth and reproduction of pests and molds are directly related to humidity and temperature in the air.

溫度在10℃以下，大多數(shù)害蟲就停止發(fā)育和繁殖，相對(duì)濕度在65%以下，霉菌就失去正常生長發(fā)育的可能，因此書畫庫內(nèi)溫度宜控制在10-18℃之間，相對(duì)濕度控制在50%-60%之間為好。

When the temperature is below 10 ℃, most pests stop developing and reproducing. When the relative humidity is below 65%, mold loses the possibility of normal growth and development. Therefore, the temperature in the calligraphy and painting library should be controlled between 10-18 ℃, and the relative humidity should be controlled between 50% -60%.

為何要求相對(duì)濕度在50%的下限呢？因?yàn)闀媽儆谖鼭裥晕镔|(zhì)，對(duì)于過度干燥非常過敏，容易干裂。

Why is the requirement for relative humidity to be within the safety lower limit of 50%? Because calligraphy and painting belong to hygroscopic substances, they are very allergic to excessive drying and are prone to cracking.

書畫是用面粉制成漿糊之類的黏著劑進(jìn)行裝裱過的，干燥到一定限度，黏著劑受干燥而發(fā)脆，會(huì)造成書畫物理性朽壞，倘是相對(duì)濕度降45%以下，持續(xù)較長的時(shí)間，書畫就有損壞危險(xiǎn)，所以相對(duì)濕度50%的下限是一個(gè)嚴(yán)格的濕度極限。

Calligraphy and painting are mounted using adhesives such as flour paste. When dried to a certain extent, the adhesive becomes brittle and can cause physical deterioration of the calligraphy and painting. If the relative humidity drops below 45% for a long time, there is a risk of damage to the calligraphy and painting. Therefore, the safety limit of 50% relative humidity is a strict humidity limit.

此外懸掛和展示書畫時(shí)要謹(jǐn)慎從事。懸掛書畫時(shí)要一手持畫釵挑住畫繩，一手托住書畫未展開的部分，然后慢慢放開來將書畫掛起，取下畫釵。展示書畫時(shí)要一人牽引畫繩，另一人兩手持軸頭將書畫展開，切忌兩手向上持書畫中間部分，否則5指會(huì)將書畫劃出折痕。

In addition, caution should be exercised when hanging and displaying calligraphy and painting. When hanging calligraphy and painting, one hand should hold the painting hairpin to hold the painting rope, the other hand should hold the unexpanded part of the painting, and then slowly release it to hang the painting and remove the painting hairpin. When displaying calligraphy and painting, one person should pull the drawing rope, and the other person should hold the shaft head with both hands to unfold the calligraphy and painting. Avoid holding the middle part of the calligraphy and painting with both hands upwards, otherwise the five fingers will scratch the calligraphy and painting.

對(duì)于無軸頭的書畫作品，展示時(shí)要用兩指夾住，使畫件從指縫中通過。此外，還應(yīng)注意書畫不宜長期懸掛，掛一段時(shí)期后要卷起收藏一段時(shí)間；對(duì)久存的書畫要定期掛出來通風(fēng)。

For calligraphy and painting works without a shaft, it is necessary to use two fingers to clamp them during display, so that the painting passes through the gaps between the fingers. In addition, it should also be noted that calligraphy and painting should not be hung for a long time, and after hanging for a period of time, they should be rolled up and collected for a period of time; Regularly hang out and ventilate long stored books and paintings.

書畫庫應(yīng)選擇通風(fēng)條件好和較干燥的樓房，不宜選擇底層和。對(duì)受潮后書畫未晾曬不可卷存，以免生霉。還有什么事兒就來我們網(wǎng)站咨詢看看http://tz998.com吧！

Calligraphy and painting libraries should choose buildings with good ventilation and relatively dry conditions, and should not choose the bottom and top floors. Calligraphy and paintings that have not been dried after being damp should not be rolled up to avoid mold. If you have anything else, please come to our website for consultation http://tz998.com Come on!