1、 Is it better to store calligraphy and painting with or without mounting?

關(guān)于書(shū)畫(huà)裝裱還是不裝裱更便于收藏這一問(wèn)題，具體情況應(yīng)作具體分析。收藏書(shū)畫(huà)的目的之一是欣賞，而只有裝裱好的書(shū)畫(huà)才能更好地欣賞。但是如果收藏者所存書(shū)畫(huà)的量較大，一一進(jìn)行裝裱，存放便有困難。這種情況，可選一部分供欣賞的進(jìn)行裝裱，其余的作為純藏品，還是不裝裱更便于存放。然而不裝裱便于存放只是相對(duì)而言，在幾十年內(nèi)，未裝裱的書(shū)囤如果保管得當(dāng)，應(yīng)比經(jīng)過(guò)裝裱的書(shū)畫(huà)保存效果更好一些。但是從長(zhǎng)期傳世這一目的出發(fā)，還是書(shū)畫(huà)裱件比書(shū)畫(huà)心更耐損、耐久。所以存放書(shū)畫(huà)心，即使方法得當(dāng)，也不宜超過(guò)50年。

Regarding the issue of whether mounting calligraphy and painting is more convenient for collection or not, a specific analysis should be made. One of the purposes of collecting calligraphy and painting is to appreciate them, and only well mounted calligraphy and painting can be better appreciated. However, if the collector has a large amount of calligraphy and paintings, it will be difficult to store them by mounting them one by one. In this case, some can be mounted for appreciation, while the rest can be kept as pure collectibles or not mounted for easier storage. However, the ease of storage without framing is relatively speaking. Within decades, if properly stored, the storage effect of unmounted books and paintings should be better than that of mounted ones. However, for the purpose of long-term transmission, it is still better for calligraphy and painting frames to be more durable and durable than calligraphy and painting frames. So storing calligraphy and painting hearts, even if done properly, should not exceed 50 years.

二、哪些書(shū)畫(huà)心需要及時(shí)付諸裝裱？

2、 Which calligraphy and painting hearts need to be mounted in a timely manner?

有些書(shū)畫(huà)心質(zhì)地屬于拉力脆弱的竹料紙，或極薄的棉連紙，或膠礬過(guò)大的熟紙、熟絹及其他箋紙類(lèi)，這些書(shū)畫(huà)心極易殘破或折裂，故不可久存，應(yīng)及早付諸裝裱是為上策。

Some calligraphy and painting hearts have a texture that belongs to bamboo paper with weak tensile strength, or extremely thin cotton paper, or cooked paper, silk, and other paper types with excessive glue and alum. These calligraphy and painting hearts are easily broken or cracked, so they cannot be stored for a long time. It is best to put them into mounting as soon as possible.

三、未裝裱的書(shū)畫(huà)心應(yīng)如何存放？

3、 How should unmounted calligraphy and painting hearts be stored?

未經(jīng)裝裱的書(shū)畫(huà)心，合理的存放形式有二，一為“卷存”，方法是：先把書(shū)畫(huà)心按20幅一份分開(kāi)（每份的幅面大致相同），并在每幅書(shū)畫(huà)心的下面各襯墊一層幅面比書(shū)畫(huà)稍大的宣紙，以報(bào)紙卷為軸，將每份書(shū)畫(huà)心卷成卷，要注意卷得熨帖，防止書(shū)畫(huà)心出褶皺、打疊或邊際不齊。再以報(bào)紙包裹，置于畫(huà)盒內(nèi)。二為“展存”，方法是：先將每幅書(shū)畫(huà)心下面各襯墊一層宣紙，一一相摞平鋪于案板上，大幅面者在下，小幅面者在上，再在陜西名人字畫(huà)鑒定上面覆蓋幾層報(bào)紙，并加蓋塑料膜，不宜壓以重物。此法對(duì)書(shū)畫(huà).為有益，但占地方較大，而且不適應(yīng)大幅或巨幅書(shū)畫(huà)心的存放。書(shū)畫(huà)心、切忌折疊存放，因折疊存放，不數(shù)年便在折處出現(xiàn)斷裂或留下黑色折痕。

Unmounted calligraphy and painting hearts can be stored in two reasonable forms: one is "roll storage". The method is to first separate the calligraphy and painting hearts into 20 pieces (each with roughly the same format), and place a layer of rice paper slightly larger than the calligraphy and painting under each piece of calligraphy and painting heart. Using a newspaper roll as the axis, roll each calligraphy and painting heart into a roll, making sure to roll it tightly to prevent wrinkles, overlapping, or uneven edges of the calligraphy and painting heart. Wrap it in newspaper and place it in a picture box. The second method is "exhibition and preservation". The method is to first pad a layer of rice paper under the heart of each painting and calligraphy, and lay it on a cutting board one by one, with the large format on the bottom and the small format on the top. Then, cover several layers of newspapers on the Shaanxi celebrity calligraphy and painting appraisal, and cover them with plastic film. It is not advisable to press heavy objects. This method is beneficial for calligraphy and painting, but it occupies a large space and is not suitable for storing large or large calligraphy and painting hearts. Calligraphy and painting should not be folded for storage, as folding can cause fractures or black creases at the fold within a few years.

四、書(shū)畫(huà)裱件應(yīng)如何存放？

4、 How should calligraphy and painting frames be stored?

存放書(shū)畫(huà)裱件，必須進(jìn)行包裝?？筛鶕?jù)條件和書(shū)畫(huà)的珍貴程度，配以木盒、錦盒紙盒盛放。如無(wú)盒式包裝，也可配以布袋或塑料袋（裝袋后要封住袋口）。.簡(jiǎn)易的包裝形式也要以報(bào)紙進(jìn)行包裹。凡采用軟包裝的書(shū)畫(huà)裱件，應(yīng)存放于多格書(shū)畫(huà)櫥或書(shū)畫(huà)架內(nèi)。存放時(shí)，宜平擺，不宜豎置，更不可“捆放”或“堆放”。如因條件所限而迫不得已“捆放”時(shí)，每軸也要再裹兩張報(bào)紙方可。書(shū)畫(huà)裱件無(wú)論如何存放，都應(yīng)注意防潮、防熱、防風(fēng)、防污、防壓力、防蟲(chóng)蛀、防鼠害。存放書(shū)畫(huà)匕亦然。

The storage of calligraphy and painting frames must be packaged. Depending on the conditions and the preciousness of the calligraphy and painting, they can be placed in wooden boxes or brocade paper boxes. If there is no box packaging, it can also be paired with a cloth bag or plastic bag (the bag mouth should be sealed after packaging) Simple packaging should also be wrapped in newspapers. All calligraphy and painting frames that use soft packaging should be stored in a multi grid calligraphy and painting cabinet or bookshelf. When storing, it is advisable to place it horizontally, not vertically, and not to "bundle" or "stack" it. If it is necessary to "bundle" due to limited conditions, each axle must also be wrapped with two more newspapers. Regardless of storage, calligraphy and painting frames should be protected from moisture, heat, wind, dirt, pressure, insects, and rodents. The same goes for storing calligraphy and painting daggers.

五、書(shū)畫(huà)裱件長(zhǎng)期懸掛或長(zhǎng)期存放有什么不利？

5、 What are the disadvantages of long-term hanging or storage of calligraphy and painting frames?

書(shū)畫(huà)裱件不宜長(zhǎng)年懸掛，應(yīng)掛一個(gè)時(shí)期，卷起存放？D個(gè)時(shí)期。尤其古舊書(shū)畫(huà)或當(dāng)今名跡更是如此。雨季濕氣太大；冬季室內(nèi)生有取暖爐或裝有暖氣設(shè)備，在這種條件下懸掛書(shū)畫(huà)都易使書(shū)畫(huà)質(zhì)地加快老化，影響其壽命。反之，書(shū)畫(huà)裱件也不可長(zhǎng)期存放，宋代大書(shū)畫(huà)家米芾有言：“書(shū)畫(huà)以時(shí)卷時(shí)舒，近人手頻，自不壞。歲久不陜西名人字畫(huà)收購(gòu)開(kāi)者，隨軸干斷裂脆，粘補(bǔ)不成也。”有經(jīng)驗(yàn)的收藏家將所藏書(shū)畫(huà)輪番進(jìn)行懸掛，即是這個(gè)道理。

Calligraphy and painting frames should not be hung for a long time, but should be hung for a period of time and rolled up for storage? D periods. This is especially true of ancient calligraphy and painting or today's famous sites. Excessive humidity during the rainy season; In winter, indoor heating stoves or heating equipment are installed, and hanging calligraphy and painting under these conditions can accelerate the aging of the texture of the calligraphy and painting, affecting its lifespan. On the contrary, calligraphy and painting frames cannot be stored for a long time. Mi Fu, a great calligrapher of the Song Dynasty, said, "Calligraphy and painting can be rolled up and relaxed at the right time, close to people's hands, and not damaged. If Shaanxi famous calligraphy and painting are not purchased and opened for a long time, they will break and brittle along with the shaft, and cannot be repaired." Experienced collectors will hang their collected books and paintings in turns, which is the same principle.

六、書(shū)畫(huà)裱件應(yīng)如何存放？

6、 How should calligraphy and painting frames be stored?

存放書(shū)畫(huà)裱件，必須進(jìn)行包裝?？筛鶕?jù)條件和書(shū)畫(huà)的珍貴程度，配以木盒、錦盒紙盒盛放。如無(wú)盒式包裝，也可配以布袋或塑料袋（裝袋后要封住袋口）。.簡(jiǎn)易的包裝形式也要以報(bào)紙進(jìn)行包裹。凡采用軟包裝的書(shū)畫(huà)裱件，應(yīng)存放于多格書(shū)畫(huà)櫥或書(shū)畫(huà)架內(nèi)。存放時(shí)，宜平擺，不宜豎置，更不可“捆放”或“堆放”。如因條件所限而迫不得已“捆放”時(shí)，每軸也要再裹兩張報(bào)紙方可。書(shū)畫(huà)裱件無(wú)論如何存放，都應(yīng)注意防潮、防熱、防風(fēng)、防污、防壓力、防蟲(chóng)蛀、防鼠害。存放書(shū)畫(huà)匕亦然。

The storage of calligraphy and painting frames must be packaged. Depending on the conditions and the preciousness of the calligraphy and painting, they can be placed in wooden boxes or brocade paper boxes. If there is no box packaging, it can also be paired with a cloth bag or plastic bag (the bag mouth should be sealed after packaging) Simple packaging should also be wrapped in newspapers. All calligraphy and painting frames that use soft packaging should be stored in a multi grid calligraphy and painting cabinet or bookshelf. When storing, it is advisable to place it horizontally, not vertically, and not to "bundle" or "stack" it. If it is necessary to "bundle" due to limited conditions, each axle must also be wrapped with two more newspapers. Regardless of storage, calligraphy and painting frames should be protected from moisture, heat, wind, dirt, pressure, insects, and rodents. The same goes for storing calligraphy and painting daggers.