名人字畫回收藝術性為先，年代第二

Celebrity calligraphy and painting recycling prioritizes artistry, second in age

收藏古玩的朋友往往看重 “年份”，而忽視藏品本身的藝術性。須知，你收藏的是古代藝術品，不是所有的古物。有的古物“年份”很足，卻不具藝術性或藝術性甚低，則不宜納入“藝術收藏”范圍。如宋元時期的青白瓷壙碗，出土量非常巨大，真正具備藝術收藏價值的并不多，還不如年份短得多的清代藝術瓷。

Friends who collect antiques often value the year and overlook the artistic value of the collection itself. Note that you are collecting ancient artworks, not all antiques. Some ancient artifacts have a sufficient age but lack artistic value or low artistic value, so they should not be included in the scope of "art collection". The blue and white porcelain bowl from the Song and Yuan dynasties has a huge amount of excavation, and there are not many that truly have artistic collection value, even less so than the much younger Qing dynasty artistic porcelain.

名人字畫回收寧收碎玉，不藏全瓦

Celebrity calligraphy and painting recycling. It's better to collect broken jade than to store whole tiles

藝術品有時因各種原因難保“十品”，尤其是古玩，經(jīng)歷歲月滄桑，常難達十分之完整度。當一件精彩但有殘損的作品和一件品相完善卻平庸的作品在你面前，您如何選擇?收藏的原則是 “寧為玉碎不為瓦全”。本來古玩收藏就是“抱殘守缺”，不宜有過分的求全心理。另外，核心部分和關鍵部分如果缺損也必須放棄。比如明代德化窯觀音像，如果缺一手，可藏;如果缺在頭臉部，則不可藏。

Artworks can sometimes be difficult to maintain their top ten quality due to various reasons, especially antiques, which have gone through the vicissitudes of time and often struggle to achieve a perfect level of completeness. How do you choose between a brilliant but damaged work and a well crafted but mediocre work in front of you? The principle of collection is "it's better to have a broken jade than a broken one". Originally, collecting antiques was meant to be conservative and not overly perfectionist. In addition, if the core and critical parts are missing, they must also be abandoned. For example, the Guanyin statue of Dehua kiln in the Ming Dynasty can be hidden if one hand is missing; If it is missing on the head and face, it cannot be hidden.

政界名人學界名人名作家大科學家影視明星體壇明星名僧名道等名人作品，除非其本人同時又是造詣不低的書畫家，否則其作品皆不宜收藏。他們的涂鴉之作可以當做“名人墨跡”收藏，但絕不可以當做藝術品收藏投資。而像饒宗頤這樣的文化大師，在書畫方面也是嘎嘎獨造，其本身就是書畫大家，則可納入藝術收藏之列。

Political figures, academic figures, famous writers, great scientists, film and television stars, sports stars, famous monks, famous Taoist priests, and other famous works should not be collected unless they are also highly skilled calligraphers and painters. Their graffiti works can be collected as "celebrity ink marks", but they cannot be invested in as art collections. Cultural masters like Rao Zongyi are also unique in the field of calligraphy and painting, and they themselves are masters of calligraphy and painting, which can be included in art collections.

名人字畫回收不收跟風作品

Celebrity calligraphy and painting recycling does not accept trendy works

不可否認，一切藝術家的作品都或多或少地融入了自己的個性成分，即使臨摹品也有臨摹者個性的投射。但是此作品往往個性不突出，所以必須在“個性”前加“鮮明”二字作為強調(diào)。成功藝術家的作品必須具備鮮明的辨識性，具有強烈的原創(chuàng)精神和創(chuàng)新意識，即使不看落款，也能看出是某家的作品。

It is undeniable that all artists incorporate their own personality elements into their works to a greater or lesser extent, and even imitations have a projection of the imitator's personality. However, this work often lacks individuality, so the word "distinct" must be added before "individuality" to emphasize it. A successful artist's work must have distinct distinctiveness, a strong spirit of originality and innovation, and even without looking at the signature, it can be seen that it is the work of a certain company.

名人字畫回收寧收小名頭精品，不收大名頭爛品

Celebrity Calligraphy and Painting Recycling: We prefer to collect high-quality works from small celebrities, not inferior works from big celebrities

作者知名度是藝術收藏投資必須考慮的一項，但是并不等于說“知名度越高越有收藏投資價值”。值得注意的是收藏原則仍然是藝術性，知名度第二。

The author's popularity is a necessary consideration for art collection investment, but it does not mean that "the higher the popularity, the more valuable the collection investment value". It is worth noting that the collection principle still prioritizes artistry and popularity.

名人字畫回收只收好的，不收貴的

Celebrity calligraphy and painting recycling only accepts good ones, not expensive ones

當代的藝術品市場仍處于混亂無序的狀態(tài)中，過度炒作和虛假成交已經(jīng)是司空見慣之事。許多藝術品的市場表現(xiàn)與其實際的藝術價值往往不同步，甚與其藝術價值背道而馳。那種認為拍出高價的就是好作品的觀點和以“市場風向標”為“入倉”依據(jù)的做法還值得商榷。

The contemporary art market is still in a chaotic and disorderly state, and excessive hype and false transactions have become commonplace. The market performance of many artworks often does not synchronize with their actual artistic value, and even goes against their artistic value. The viewpoint that high prices are considered good works and the approach of using "market indicators" as the basis for "buying" are still debatable.

好作品，這關乎藝術收藏投資者的藝術鑒賞水平或其藝術收藏投資顧問的鑒賞水平。作品的貴賤，必須與藝術品的質(zhì)量聯(lián)系起來考量，而不是僅僅看其一平尺多少。“藝術無價”不等于“藝術品無價”，藝術品一旦進入藝術市場，那么它無論多么“偉大”都是有價的。另外貴與不貴需聯(lián)系作品的藝術水準及其藝術家的發(fā)展前景來辯證判斷。

Good works are related to the art appreciation level of art collection investors or their art collection investment advisors. The value of a work must be considered in relation to the quality of the artwork, rather than just looking at its size. "Art is priceless" does not mean "art is priceless". Once art enters the art market, no matter how "great" it is, it is valuable. Furthermore, whether it is expensive or not requires a dialectical judgment based on the artistic level of the work and the artist's development prospects.

名人字畫回收并非所有名家作品都有價值

Not all works of famous artists have value in the recycling of celebrity calligraphy and paintings

這條有兩層意思：其一，有的大名家名實難副。在內(nèi)地這種逆淘汰的體制下，平庸者往往居上位，杰出者卻居于野，直到身后才大放異彩;其二，即使是名副其實的名家，其作品也不是每件皆。有時因為應酬身體健康情緒低落等原因會創(chuàng)作出低劣平庸或不盡人意的書法作品或國畫。另外，在藝術家一生的藝術生涯中，其早中晚期的作品水平懸殊往往是非常大的。

This article has two meanings: firstly, some famous figures may not live up to their name. In the system of reverse elimination in mainland China, the mediocre often occupy the upper echelons, while the outstanding remain in the wilderness, only to shine brightly behind them; Secondly, even true masters may not always have excellent works. Sometimes, due to social reasons such as good health and low mood, one may create inferior, mediocre or unsatisfactory calligraphy works or traditional Chinese paintings. In addition, there is often a significant disparity in the level of work produced by artists in their early, middle, and late stages of their artistic careers.

名人字畫回收切忌遍地開花

Celebrity calligraphy and painting recycling should avoid blooming everywhere

當代藝術家多如牛毛，群星璀璨。藝術收藏投資愛好者沒必要“見好必收”“遍地開花”。除非你資金特別，精力特別旺盛。否則選取一兩家或兩三家?？傊谶x擇藝術家上要重質(zhì)量，而不是重數(shù)量。

There are countless contemporary artists, shining with stars. Art collection and investment enthusiasts do not need to "reap what they see" or "bloom everywhere". Unless you have particularly strong funds and energy. Otherwise, it is best to choose one or two or three. In short, when choosing an artist, it is important to prioritize quality rather than quantity.

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